|
By Martin Foskett | Dispatches | Knelstrom Media We're the middle children of history, too cynical to join the revolution, too busy paying the mortgage to dance at the apocalypse. Gen X, the last analogue generation, caught between rotary phones and AI doomscrolling, still humming to a song we haven't heard since 1987 and refusing, on principle, to ask anyone for help. It's a strange thing, being part of the invisible generation, the one no one bothers to write think-pieces about because we're too busy getting on with it. We don't complain, we don't campaign, and we don't post pictures of our breakfast online. We are the reluctant custodians of sanity in a world overdosing on feelings and hashtags. Born somewhere between the fading embers of the Cold War and the rise of the dial-up modem, we were raised on failure, and thank heavens for that.
While the Boomers were busy inheriting prosperity and the Millennials were perfecting the art of being offended, we were left to MacGyver our way through chaos, armed with a mixtape, a hangover, and a stubborn refusal to care what anyone thought. THE BIRTH OF SHRUG CULTURE Gen X never asked to be cool; it just happened by accident, somewhere between the first time we watched The Breakfast Club and the day we realised no one was coming to save us. The economy tanked, Thatcher and Reagan did their dance, and MTV became our religion. We grew up babysat by television and cynicism, learning that authority always lies and that happiness is a con sold between ads for cigarettes and soft drinks. We didn't rebel with slogans and marches; we rebelled with apathy. The system wanted believers; we gave it sarcasm. It wanted hope; we offered the world a shrug so magnificent it became a philosophy. Even now, we're in our fifties and sixties, limping through life with bad backs and better instincts, scanning the world for the next scam, and finding one every day. Influencers? Scam. Politicians? Don't make us laugh. A SURVIVOR'S GUIDE TO NONCHALANCE We never trusted authority because authority always seemed to have the wrong haircut. We were latchkey kids, taught to fend for ourselves with a tin of beans and a Walkman. Mum was working, Dad was gone, and the telly was always on. We built resilience from boredom, creativity from neglect, and independence from necessity. Ask a Gen Xer for help? Forget it. We'd rather drag a sofa up five flights of stairs alone than ask a neighbour to hold the door. It's not pride, it's muscle memory. You don't grow up with Knight Rider and Top of the Pops and come out needy. We can recite every lyric from The Cure's Disintegration, recall the exact smell of a Blockbuster on a Friday night, and sense dishonesty in a handshake. We've been through dial-up connections, divorces, and dystopian news cycles. We've seen the internet born, grow up, and start scolding us. Through it all, we've kept our sense of humour, dark, dry, and devastatingly accurate. ZERO TOLERANCE FOR NONSENSE Our nonsense radar is finely tuned. You can't sell nonsense to people who grew up watching government scandals unfold on the evening news while eating fish fingers. We saw it all, the televangelists, the Wall Street cowboys, the yuppie dreams that crashed into recession. We learned early that the world runs on nonsense, so we stopped pretending to be shocked by it. Now we watch Millennials melt down over microaggressions while Gen Z films it for TikTok. We, meanwhile, are in the corner, sipping a tepid cup of tea, muttering "good luck with that" like grizzled prophets of doom who've already seen the ending. We don't do "self-care." We do "get on with it." We don't believe in safe spaces; our safe space was a pub car park behind the youth club. We don't need validation. Our validation was surviving the '80s without seatbelts, sunscreen, or therapy. THE MUSIC STILL MATTERS Play us a tune from 1987 and watch a middle-aged army awaken. The muscle memory kicks in. The hips might creak, the knees might protest, but every lyric floods back like divine revelation. U2, INXS, The Smiths, Prince, it's not nostalgia, it's DNA. We remember the music because it was ours, before algorithms dictated our taste and before every song came pre-packaged with a moral. Music then was rebellion wrapped in poetry, a soundtrack for disillusionment. We didn't have wellness podcasts; we had The Clash telling us the truth through a wall of noise. And we listened. THE QUIET GENERATION THAT HOLDS EVERYTHING UP It's fashionable now to mock Gen X as irrelevant, the forgotten generation. But look closer. We run your companies, fix your code, and pay your taxes. We're the glue holding together the chaos that Boomers built and Millennials complain about. We don't shout about it because shouting feels gauche. We simply keep things moving, even as our backs give out and our patience thins. We are, in effect, the world's reluctant grown-ups. Nobody handed us the rulebook, so we wrote our own, in biro, on a napkin, probably after two pints. It says:
THE BEAUTY OF BEING INVISIBLE There's freedom in being forgotten. While other generations compete for attention, we operate in glorious obscurity. No one expects us to go viral, so we don't have to pretend. We can log off, go outside, and fix a leaking tap without broadcasting it. We are, in many ways, the last private people. Our rebellion now is subtle. It's refusing to be outraged. It's laughing when the world insists we panic. It's saying, "I'll pass, thanks," and meaning it. Because at the heart of it all, Gen X isn't bitter. We're amused, quietly, dryly, and perpetually. We've seen too much nonsense to take the circus seriously. And if the end is really coming, as every news headline insists, we'll be the ones at the back, playing air guitar, muttering: "We told you so." Disclaimer: The views expressed in Dispatches are personal reflections and do not represent the formal editorial stance or business outputs of Knelstrom Ltd. This article and any accompanying imagery are works of satire and opinion. All characterisations, scenarios, and depictions are exaggerated for rhetorical, humorous, and artistic effect. They do not constitute factual claims about any individual or organisation. Public figures mentioned are engaged in public political life, and all commentary falls within the scope of fair political criticism and protected expression under UK law, including the Defamation Act 2013 and the Human Rights Act 1998. Readers should interpret all content as opinion and creative commentary, not as news reporting or objective analysis.
Comments are closed.
|
DESPATCHESDispatches is the voice behind the analysis — personal essays, historical storytelling, satire, and everything the reports leave out. Bias, every outlet has one, here’s ours.
CHANNELSCategories
All
Archives
October 2025
|
RSS Feed